Dysfunctional Art

grimharlequin:

i wanted to draw a visual interpretation of furby lore that looked like it could have been found on a website from 1998

(read for context)

soierose:

ruslana korshunova / betsey johnson ss 2006

(via angelfazce)

generationterrorists:

‘El Mal Querer’ artwork by Filip Custic (2018)

(via rthko)

redlipstickresurrected:

Iris Schomaker (German, b.1973, Stade, Germany) - 1: Untitled, 2017, Oil, Watercolors on Paper  2: Untitled (Woman and Fox), 2017, Oil, Watercolors on Paper  3: Cecile (Striped Lady), 2016, Oil, Watercolors on Paper  4: Untitled, 2018, Oil, Charcoal, Watercolors on Paper  5: Untitled, 2017, Watercolors, Paint on Paper  6: Untitled, 2017, Watercolors, Paint on Paper  7: Untitled, 2013, Oil, Watercolors on Paper  8: Untitled (Woman Reading/ Paravent), 2017, Watercolors, Paint on Paper

(Source: irisschomaker.de, via rthko)

cinemove:

Chungking Express (1994) dir. Wong Kar Wai

(via rthko)

loukessler:

The Concept of Non-Photography:

Non-photography, theorized by François Laruelle, is about devorcing all context from a photgraph. There is no concept of a subject, photographer, composition, pretext, or context. It exsists in a void as a sort of non-thing, as if there was no sentient being able to percive and analize it. It exsist’s merely as an aeasthetic, but not even really as an aesthetic because that is a philosophy in itself.

He states that the photograph is not a picture of reality or even a copy or abstraction. It is a fiction that is “wholly real but in its own mode”- the fictional realm. The photograph is unique unto itself, an unlimited opening into the world occasioned by lights and shadows in time, but is in no way constrained by either the experiential universe or the theoretical and art historical preconditions set up for it.”

(via spitfinch)

ariannaferretti:

interiors in Genova, February 2018

(via vampives)

(Source: outofcontextarthur, via poutymouthkylo)